Category Archives: Salt

Writing Wonderland

As part of some events to tie in with the Alice in Wonderland exhibition at Tate Liverpool, The Development of the Arts in Northwich Community organisation asked me to plan and lead a three hour workshop for children themed around Alice.

I have loved this strange surreal story from childhood, when it used to give me weird dreams but confirmed my faith in logic and being true to oneself. Arguing with over-sized caterpillars and chewing the fat with disappearing cats were regular occurences in my life.

The workshop took place on 22nd December. Great fun was had by all as we wrote alliterating nonsense poems to introduce ourselves, such as:

Creative Kitty tickles and teases kittens

Magnificent Milly gives loud applause at a perfect pantomime

Rosy Roxana munches mince pies

Amazing Angela time travels with Doctor Who

Nibbling Nick groans at grim cracker jokes

etc.

We read the mouse’s tail poem on a handout with a wonderful Alice border, then wrote a range of Christmas Shape poems and then shared our work.

Next we tackled a story inspired by a key and its label, and I guided them through a structure until the first secion was written. Some of the participants promised to email me their work so it may be posted on the DAN blog. If so I will post a link here.

Moving on from writing, we did some role drama based on The Jabberwocky, which strictly speaking is from Alice Through the Looking Glass, but it’s still Wonderland! We had great fun, particularly with the freeze frames to create the setting  ’twas brillig and the slithy toves/ did gyre and gimble in the wabe’.

Everyone went home with an ALice in Wonderland character note to write a story about their own encounter with it.  We all had fun, there was warm squash and a lot of laughter. And some good work was produced. Thanks everyone.

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Filed under Able Writers, Children's Poetry, Education, Salt

Angela Topping’s Poetry in Education

My poems are being used in the classroom:

‘After the Earthquake’ is included in a Geography textbook as an example of how it feels to be an earthquake victim.

‘The Butcher’s Shop’ is a set poem in the anthology Food Glorious Food set for English Language and Literature Advanced Level.

‘ How to Capture a Poem’ is included in a GCSE textbook.

‘The Athlete’s Dream’ was quoted on this year’s National Poetry Day poem cards.

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Primary schools study my book The New Generation (Salt 2010) and a free teacher pack is available to any school which books me for readings or workshops.

I am on a ist of poets recommended by OCR for study practice for the Unseen poem, a feature of GCSE English Literature examinations.

My poems have also been used in connection with Oxfam, The Samaritans and by the Open University.

I have co-authored several GCSE textbooks for OUP, and written several focus books for Greenwich Exchange.

I am a Teachit key contributor and have uploaded many popular resources over the years.

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Filed under Able Writers, Children's Poetry, Education, poetry, Poets in schools, Salt

Death Door Dave, the Turtlejack

When I lead an Able Writers’ Day for Authors Abroad, I like to write a group poem with all the pupils working on a different stanza. I take ideas from the participants and try to incorporate as many as I can, discarding the ones that don’t fit. Then each small group works on an aspect of the topic, feeds back to me, then I shape it and write it up. This teaches them structure and consistency.

This is the most recent one, written last week at Mill Lane Primary. The pupils suggested we make up our own mythical creature. I split the topic up into things like physical appearance, habitat, diet, behaviour and so on. THis is what they came up with in half an hour!

 

 

Death Door Dave, The Turtlejack

His head is a barking jackal with orange eyes.
The wet-noser has a turtle body,
a creature with wire wings and green blood;
wolverine-clawed, its scorpion tail is green-flamed.

Invivible he can be, or camouflaged,
breathing fire, water or air. If he knows
you are coming he lies in wait.
He can fly high or low, scary in the sky.

You cannot hear him come, you cannot hear him go,
you cannot hear him run from all the things he fears.
He may look like a blood-thirsty savage
but his heart is a baby’s touch.
Diaphonous smoke curls around him
with a reek of gloom and loneliness.

At night he steals dinosaur eggs, seasons them with fairy dust,
eats with a salad of brussel heads, lettuce and carrots.
By day he kidnaps humans to make friends
and wonders why he fears them.

Death Door Dave used to be a happiness thief
a life crusher, a human eater, a dream disintegrator.
That was before pest control put him in prison.
Now he’s a changed monster, vegetarian, wise.

He was first created in a meteorite accident,
the only one of his kind. Now he lives in
a groovy flat, a moose-head on the wall.
candles lit, a massive double bed, waiting for a mate.

Written by the group on Able Writers’ Day at Mill Lane Primary School, Thame, Oxford

 

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Much Wenlock Poetry Festival

Much Wenlock Poetry Festival was a delight. I wish I had been there on the Saturday to see the Wirral Alliance of Poets doing their street readings, but maybe next year I will go for the whole festival.

My two events were both on the Sunday. The first was a workshop in Wenlock Books – everyone’s dream of the perfect bookshop, full of cosy nooks to sit down and read, a splendid second hand section, real coffee and an enchanted atmosphere.

The workshop was primarily intended for children, but was also suitable for adults who write for children. So it was good to have one other adult there, as well as a granny who stayed to watch. The children were an absolute delight and they all wrote some amazing work. After we had got to know each other, using an alliteration game, and I had read a few poems to show the sort of thing I write, we got down to work. The first exercise produced a Kennings poem, followed by a sharing of work. One of the boys did his in the shape of a shoe, a girl wrote a beautiful poem about the sea. There were also poems about cats, a computer and penguins. An artist came and did a sketch of us while we were working, which I will share on here as soon as I have an electronic copy.

Over refreshments half way through we wrote a group poem:

Our Picnic

Spreading thick butter on the crispy crackling bread,
now things were ready we skipped merrily to the park.
As we arrived we set out the meal on a cloth.

Bread and butter, cheese and ham are all eaten
with lots more. We sip lemonade from plastic cups.
Everyone plays cricket. After the last wicket
we sit in the shade together.

We brush away the crumbs but some sandwiches are over
so we charge to the ducks, watching them fighting over the bread.
What a magical picnic we had with lots of fun today.

What a shame, it’s time to go home.

After break, we settled down again to write a mythical creature poem or story. The random generation of creatures with everyday locations game gave everyone some interesting combinations to work with. We had a werewolf in a left wellington boot, a frightened fairy, a vampire in a wardrobe who was obsessed with the colour purple (not the novel, but the shade), and many others. All the participants produced quirky and original pieces of writing. Some of the parents arrived back in time to hear the sharing part of the scond task. Everyone had fun and went home with two new pieces of writing – a lot to accomplish in two hours.

There was time for a quick lunch at the excellent festival cafe (all home-made food), a chat with the Welsh poet Liz Loxley, whose work I admire, a quick reconoitre with Roz Goddard, before moving off to my next event, which was a children’s reading.

The reading took place in a wonderful venue, the Methodist Chapel, which has wonderful acoustics and character – obviously a well loved building. The audience was small but I was able to hold them rapt for an hour and could interact with them individually. Reading at a festival is very different to doing a school reading to a full hall: the audiences are smaller but each child wants very much to be there.

I would have liked to have lingered in this picture-book town and taken in more eventsl, but we needed to get back. Before leaving I was presented with my copy of the festival anthology, to which every poet performing at the festival contributed a poem, most of them previously unpublished. I do urge everyone to purchase a copy of this book, reasonably priced at £7.99. Not only will it help support next year’s festival, but it is a really strong anthology. I spent a happy couple of hours reading through it.

Much Wenlock Poetry Festival has completed two years now, and we can only look forward to the 2012 one. Wonderful poets in a beautiful place set in stunning countryside – what more could anyone want?

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Filed under Able Writers, Children's Poetry, Education, New books in 2011, Poetry Collections, Salt, The New Generation

Cheltenham Poetry Festival

This shiny new festival was a joy from start to finish. I wasn’t able to attend any of the Thursday events as I was in Oxford doing two readings with the wonderful John Foster, but we arrived in good time for Philip Gross’ reading. He was, as ever, wonderful, and was joined by accordion player Mike Adcok, whose own compositions resonated hauntingly with Philip’s words. Philip and I were booked to read together at the LRB bookshop in November 2010, which was unfortunately postponed. We are still seeking opportunities to read together. We both write for both children and adults – and make little distinction between them, as both deserve well crafted and intelligent verse.

The next event we attended was with George Szirtes, Nigel McLoughlin and Kviria, the Georgian harmony singers. The venue at Francis Close Chapel, was perfect for the meditative poetry of Szirtes, who, as I am sure people know, is an excellent reader, always leading his audience on a journey of discovery. I hadn’t realised before this event what Nigel’s Ulster accent would add to his poems. The music of them was enhanced for me. Nigel and I were both published by bluechrome, so we shared some commiserations over their mysterious disappearance.The singers were enchanting. We were sorry we had to miss the last five minutes to get to John Cooper Clarke’s performance whish turned out to be not to our taste. However, there was a huge audience of people who were loving it, so we slipped out unnoticed after a while.

The next day I had to concentrate on my own two events. The reading at Waterstones was fun, although it can be somewhat challenging at times to make oneself heard on the ground floor of a busy shop. It’s very good to see my books in a prominent position on the shelves! On the plinth in the poetry section my book is cheek by jowl with one of Owen Sheers, festival patron, ace poet and thorougly lovely person.

In the afternoon I was giving a multi-media talk on John Clare. I chose to structure the talk around arguably his most famous poem, ‘I Am’. This allowed me to concentrate on the positivity of his life rather than the asylum years. The representative of the sponsors, This England magazine, commended my approach. I do not see Clare’s life as tragic despite his mental illness. He lived it intensely and had great joy in his love of nature.

Shortly after I had finished handling questions and packing up, we dashed over to Francis Close Chapel to hear Gordon Tyrrall singing his settings of Clare songs, accompanied by his friend Caroline on the flute. I know these songs well, as I play the CD (A Distance from the Town) , but I had heard them all live before. Gordon has a gift for composing tunes which bring out the words and meanings of the poems with great sensitivity. His performances are enhanced by his obvious enjoyment in sharing his talents.

John Hegley, unlike the other John mentioned above, did not disappoint us. This was an extraordinary evening of fun, poetry and music. Hegley is an engaging performer, and I have seen him before, but I had never seen him play his mandolin accompanied by a fantastic jazzy double bassist. See, Hegley is a stunning wordsmith but he can also amuse, impress, involve and entertain. Hats off to him, I did not want this concert to end.

Next day was a little quieter in the events I sought out. We went to hear Cliff Yates, fellow Salt poet, give a quirky reading to a good crowd. He was joined by singer/songwriter Men Diamler, who provided a good contrast: his angry young man style set up some lively tensions with Yates’ gentle and laid back delivery. Later at the same venue, Angela France gave a strong reading. She was joined by Jennie Farley, whose narrative poems I had not heard before. This was a lovely reading. I knew Angela’s work already and enjoyed her readings on other occasions.

The last event I went to was Buzzwords. I will be leading this in September so I wanted to get a flavour while I was already in beautiful Cheltenham. Pat Borthwick was the guest. I have been familiar with her work for a long time and like it very much. The workshop gave me three quick drafts which I intend to work on when I have some time, and the standard of the open mic before Pat’s reading was truly impressive. Angela is an excellent event manager and host as well! Pat’s own reading was both powerful and entertaining by turns. Cheltenham is very lucky to have such a great event happening every month. Buzzwords is running its first national competition, so do get some entries together to support this smashing event.

Anna Saunders and her team deserve hearty congratulations for the success of the first Poetry Festival. Let’s watch it grow.

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Filed under Children's Poetry, Everything else, Festivals, John Clare, Poetry Collections, Salt, The New Generation

Cheltenham Poetry Festival

Cheltenham Poetry Festival starts this week on Thursday 31st March and continues till 3rd April. I am reading at Waterstones at 11.30 on Saturday 2nd April, and giving an illustrated talk on John Clare at 1.45 at the YMCA, closely followed by a wonderful concert given by Gordon Tyrrall, who has set some of Clare’s lovelist poems to music.

There are many other wonderful readings including George Szirtes, John Cooper Clarke, John Hegley, Alwyn Marriage, Angela France, Cliff Yates, Clare Pollard, Philip Gross, just to name a few off the top of my head.

The organisers have worked really hard to put together an amazingly varied festival and I urge everyone to support it.

Here is the link:

http://www.cheltenhampoetryfest.co.uk/

Before that I am over in Oxford, reading and doing a school gig with my hero of old, John Foster, who was the very first person to put my work in a children’s anthology, apart from the ones from the Bees Knees collective. That was in 1992, in Can You Hear? poems for Oxfam, published by Macmillan.

I love going off to new places to do readings. I also love staying at home writing and making things, like I did today.

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Filed under Children's Poetry, Education, John Clare, New books in 2011, Salt, The New Generation

Paul Hughes’ review of my schools readings in Reading

Paul writes on his blog Jake the Cake:

“And so I had the pleasure of watching her perform a variety of these poems to children (aged 11-14) in two local secondary schools.  Her performances are interactive, entertaining, educational and full of nuggets of poetic brilliance and inspiration for the poets of tomorrow. She has a lovely way with students and they warmed to her personable manner. I intend to visit schools in the future and watching her perform was a wonderful demonstration of what can be achieved when a skilled poet, with a warm personality, meets with students.

.

She is currently willing to perform for free, particularly to schools local to her Cheshire home, and I’d advise any teachers reading this to have her visit ASAP!”

I am still offering these promotional readings and Cheshire schools are welcome to contact me. I am equally comfortable in primary and secondary, have a full CRB and plenty of enthusiasm. It is important to me to make my book accessible to children and the best way is through readings. They can be as short as ten minutes or as long as a hour.  In return I expect schools to inform pupils that the author coming in has books for sale, and the cost of them, which is £6.99. Travel expenses are appreciated, or enough book sales to cover my outlay.

I do workshops at £250 per day (and pro-rata) plus expenses.

A school in Kent said this about my workshops:

‘Every girl and boy enjoyed the poetry workshop with angela.  From Kennings to collaborative poetry, we were all given the opportunity to write and explore our own thoughts and feelings.  each child recited at least one poem to the group and they were all well received and appreciated.
My girls were desparate to share what they had learned with the rest of the class.  Even I was motivated to twrite possibly the best comparative, descriptive verses I have ever done!  Thank you’
Wayne Rhodes (Year 6 classteacher)

If any parents or grandparents reading this want to suggest me to schools their children or grandchildren attend, I would be very grateful. I am also interested in doing inset work with teachers. I did do some leading of inset days when I was teaching, which were very well received, and I have written GCSE textbooks on how to teach poetry. I am also an A level moderator for a leading board and have led A level workshops and written critical works for A level and undergraduate students. I have led teacher training sessions for trainee teachers and given talks for OUP on the new GCSE specifications.

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Filed under Children's Poetry, Education, poetry, Poetry Collections, Salt, The New Generation