I am very grateful to Emma Lee for this thoughtful review of my most recent book. Red Squirrel Press is sold out but I have some copies at home for sale, so if you are interested, contact me.
“Five Petals of Elderflower” uses the title poem, also the first poem, as a structure for the whole collection giving it a sense of unity. It’s important to note, though, that the collection does not have to be read in order, each poem can stand alone too. The title poem can be thought of as ‘five ways of looking at elderflower’, one for each petal. The first section zooms in for close examination, the second explores a different voice – here the poet’s father, the third focuses on memory, the fourth uses synaesthesia and the fifth a promise. In the fourth section,
“Elderflowers sing jazz, each petalled phrase
plays another variation on the last.
Its saxophone voice rises above twanged strings
of cello and double bass, holding the melody
as it flies high. Notes dance round our feet:
we wade in sound. It’s a five bar blues,
scrolls of baroque…
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